/* GENERATED — do not edit. Verbatim mirror of packages/chrome/src/css/chrome.css, which is the implementation the product runs and therefore the truth. Change it there and re-run: npm run design:tokens */ /* _design chrome.css — the implementation of the _design skill's components.md. Consumes canon roles only (skills/shared/tokens.css, via the generated tokens.css beside this file); no literal colors. Every component here has a state in the skill's specimen.html — keep them in lockstep (ship gate). The skill's copy at skills/internal/design/assets/chrome.css mirrors this file. */ /* chrome-local tokens (not canon — see foundations.md) */ :root{ --hairline:color-mix(in srgb, var(--ink) 10%, transparent); /* The step a quiet label takes when you point at it: toward `--ink` without arriving. Canon#7 gives three text steps, and a label going straight from `--ink-2` to full `--ink` on hover reads as promoted to content rather than acknowledged — the pointer is already saying which row it is. Derived from the two roles it sits between, so it re-steps with the theme like everything else (dark ≈ #d1d1d1 on #949494, light ≈ #3e3e3e on #6a6a6a). */ --ink-lift:color-mix(in srgb, var(--ink) 65%, var(--ink-2)); /* The measure, and there is only one: the thread column, the composer that writes into it, and the search pills on Artifacts and Skills. An input that is narrower than the text it produces reads as a different column, so these do not get to drift apart — move this and they all move together. */ --thread-col:720px; /* max measure of the thread column (_design#16) */ /* every pane header's height (_design#16). Named because a second place now measures from it — the gallery's sticky column head — and a bare `60px` written twice is two numbers that silently stop agreeing. */ --pane-h:60px; /* the sign-in measure, and it is NOT the thread's: that screen asks for one short answer, so it is sized by the longest one it takes — the six code cases, 6×56 + 5×8. The case is a square and the column follows the box */ --signin-col:376px; /* the inline-action hue (.act) — a step of the ONE blue, re-stepped for dark like every other role (canon#8). --c1 is the brand anchor, which is what an action offered by the platform should wear; dark takes --c2 because #3363FF on --paper #0f0f0f is too dim for 13.5px text. */ --action:var(--c1); /* TWO modal measures, because a modal here holds one of two different things. A skill's doctrine is a FORM — labelled fields, short lines, read at the distance a form is read — and it keeps the 880px measure. A report is a DOCUMENT. It brings its own paper, its own 720px column and figures that deliberately overhang that column, and the frame is the figures' entire budget: the guest is a srcDoc iframe at width:100%, so the frame IS the report's viewport and `.wider`'s 92vw is measured against it. At 880 that made every figure 809.6px, so a diagram authored on the 860-unit canvas the skill specifies drew at 0.94 of its size and its 11px labels landed at 10.4px — the report's own 860px cap was unreachable, dead code behind the frame. 1200px gives the figure lane ~1104px and leaves the prose column untouched at --thread-col inside it. Reports were always meant to take the wider panel (see ArtifactModal); this is the CSS finally saying so. */ --modal-w:880px; --modal-w-report:1200px; /* The scrim always DIMS, which means it has to follow the dark end of whichever theme is on: `--ink` is the dark role in light, `--paper` is the dark role in dark. A single paper-based scrim was white-on-white in light mode — a report is white paper, so the page it floated over and the page itself were one surface. */ --scrim:color-mix(in srgb, var(--ink) 45%, transparent); } @media (prefers-color-scheme:dark){ :root{--scrim:color-mix(in srgb, var(--paper) 82%, transparent);--action:var(--c2)} } :root[data-theme="light"]{--scrim:color-mix(in srgb, var(--ink) 45%, transparent); --action:var(--c1)} :root[data-theme="dark"]{--scrim:color-mix(in srgb, var(--paper) 82%, transparent); --action:var(--c2)} /* ---------- base ---------- Two roots, not one: the modal is PORTALED to the body, so it is outside `.app` and inherits none of it. Everything below is declared for both — a rule that lived only on `.app` silently stopped applying the moment a surface moved out of that subtree, and the way it showed up was black text on a dark panel. */ .app *,.skill-modal *{box-sizing:border-box;margin:0} /* every button in the chrome is custom-styled — kill UA chrome (iOS Safari otherwise draws its own boxes around bare buttons). Appearance ONLY: a font reset here would out-rank component font sizes by specificity. */ .app button,.skill-modal button{appearance:none;-webkit-appearance:none} .app{ display:grid;gap:0; grid-template-columns:var(--w-side,260px) 8px 1fr 8px var(--w-details,320px); /* pin the single row to the shell height — otherwise regions size to their content, overflow the shell, and the thread pane never scrolls */ grid-template-rows:minmax(0,1fr); background:var(--paper); } /* the text grammar itself, shared by every root that renders chrome (canon#7) */ /* --text is the READING size, and every region reads at it: the trace, the thread cards, the details rows, a follow-up wherever it is standing. A sidebar set a step smaller than the thread said the threads in it mattered less than the one open, which is not true — it is the same record, listed. One declaration, two values (it steps up with the type on narrow viewports), and nothing to keep in sync. Junior tiers stay junior: labels and meta have their own sizes and are unaffected. */ .app,.skill-modal{color:var(--ink);--text:14px; font-family:var(--font-body);font-size:14px;letter-spacing:-0.01em; line-height:1.55} .side,.details{overflow:hidden;min-width:0} /* the positioning context for the pinned account row */ .side{position:relative} /* the main region is a flex column — the thread pane scrolls INSIDE it (without this, .thread-scroll's flex:1 is inert and nothing scrolls) */ .main{padding:0 20px;min-width:0;display:flex;flex-direction:column} /* inner wrappers hold the CONTENT width (--wc-*): dragging writes it, so resize reflows content live; collapse zeroes only the region width (--w-*), so content clips at its last width instead of squishing (_design#11, #15) */ /* Symmetric inset. Every pill in this pane — nav rows and thread cards alike — bleeds 12px past the text column (`margin:0 -12px`), so the pane's own padding is what decides where those pills stop. At 20 left / 12 right they stopped 8px short on the left and ran flush into the right edge: one margin, not two. 20 both sides puts them 8px off each edge. */ .side-in{width:var(--wc-side,260px);padding:0 20px; transition:opacity var(--t-fast) var(--ease)} /* The list, and the only part of the pane that moves. Both edges are a MASK on the content itself — the same idiom as the thread pane (`.thread-scroll`), for the same reason: no backdrop and no paper strip, so titles stay continuously visible as they pass out rather than meeting an edge. BOTTOM is fixed: gone 12px above the account row's top (row 32px + 16px inset ⇒ top at 48px), starting 24px before that. TOP is driven by scroll position (`--fade-top`, set from the pane), so the first card is crisp until you actually scroll off it — a permanent top fade would dim a list that has nothing above it. Registered as a at the `@property` block below, which is what lets it grow in rather than pop. */ /* Out to the pane's edges, then the inset re-applied INSIDE. A scroll container clips at its padding box, and a thread card's pill bleeds 12px past the text column on both sides (`.thread-card` margin:0 -12px) so titles align with the date labels while the fill runs wider. Left sitting inside the head's inset, the scrollport cut both rounded ends off square. */ .side-threads{flex:1;min-height:0;overflow-y:auto;overflow-anchor:none; margin:0 -20px;padding:0 20px 60px;--fade-top:0px; mask-image:linear-gradient(to bottom,transparent 0,#000 var(--fade-top), #000 calc(100% - 84px),transparent calc(100% - 60px)); -webkit-mask-image:linear-gradient(to bottom,transparent 0,#000 var(--fade-top), #000 calc(100% - 84px),transparent calc(100% - 60px)); transition:--fade-top var(--t-med) var(--ease)} .details-in{width:var(--wc-details,320px);padding:0 12px 18px;transition:opacity var(--t-fast) var(--ease)} .app{transition:grid-template-columns var(--t-med) var(--ease)} .app.no-side{--w-side:0px} .app.no-details{--w-details:0px} .app.no-side .side-in,.app.no-details .details-in{opacity:0} .app.dragging{transition:none} /* region boundaries are live (_design#15): a REALLY slim quiet line, always on; hovering doesn't widen it — the color steps to full ink (white/black per theme) to mark the col-resize handle */ .resizer{cursor:col-resize;display:flex;align-items:stretch;justify-content:center; touch-action:none;user-select:none} /* square ends: a rounded cap's anti-aliasing fades the tips of a hairline, so the line would look like it stops short of the page edges */ .resizer::after{content:"";width:0.5px;border-radius:0; background:var(--hairline); transition:background var(--t-fast) var(--ease)} .resizer:hover::after,.resizer.active::after{background:var(--ink)} .app.no-side .rz-side,.app.no-details .rz-details{pointer-events:none} /* toggle icons live in their region while it is open; the thread-header copy appears only when that region is closed (_design#15) */ .app:not(.no-side) .main .tgl-side{display:none} .app:not(.no-details) .main .tgl-details{display:none} /* ---------- text grammar (_design#3,4 · canon#7) ---------- */ .title{font-family:var(--font-title);font-weight:600;font-size:18px;letter-spacing:-0.02em;text-wrap:wrap} .wordmark{font-family:var(--font-emph);font-weight:500;font-size:18px;color:var(--ink);text-transform:lowercase} .label{font-weight:400;font-size:13px;color:var(--ink-2);display:flex;align-items:center;justify-content:space-between;gap:8px} /* narration is junior by color alone — never italic (canon#7) */ .narr{color:var(--ink-2)} .agent{font-family:var(--font-emph);font-size:13px;color:var(--ink)} .attr{color:var(--ink-2);font-size:13px;margin-bottom:4px} .meta,.tally{font-size:12.5px;color:var(--ink-2);font-variant-numeric:tabular-nums} .tally{display:inline-flex;align-items:center;gap:3px;white-space:nowrap} /* ---------- layout utilities — the inline styles that kept repeating ---------- */ .grow{flex:1;min-width:0} .mt6{margin-top:6px} .mt8{margin-top:8px} .mt10{margin-top:10px} /* the icon-button cluster at a pane header's end */ .pane-actions{display:flex;gap:2px} /* ---------- state glyphs (_design#5) — small, 13px system ---------- */ .g-done{width:13px;height:13px;border-radius:50%;background:var(--ink);color:var(--paper); display:inline-flex;align-items:center;justify-content:center;flex:none; font-size:7px;font-weight:700;line-height:1} /* the done check uses Lucide's check geometry, masked in --paper — crisp and font-independent (state glyphs stay CSS constructions) */ .g-done::after{content:"";width:7px;height:7px;background:var(--paper); -webkit-mask:url('data:image/svg+xml,') center/contain no-repeat; mask:url('data:image/svg+xml,') center/contain no-repeat} /* the fourth state glyph (_design#5): a run that ENDED WITHOUT ITS ANSWER — refused, failed, or interrupted. Same 13px disk and the same masked-Lucide construction as .g-done, carrying `minus` instead of `check`: the check says the row got what it was for, the bar says it stopped. Monochrome like every other state mark — a failure is not a colour in this chrome (canon#2), and --crit stays a data role. The alternative considered and rejected: no glyph at all (.g-none), letting the words carry it. A trace is scanned down its glyph column, and a run that died is the one row that must not be scanned past. WHERE THE DISK SURVIVES, now that a trace row carries a kind mark instead (.g-kind below): everywhere the summary is "it stopped" and there is no room to say which way — the thread card in the sidebar, the details panel's status line. A card answers "is this thread still going"; only the trace has space for the answer to "and how did it end". */ .g-stop{width:13px;height:13px;border-radius:50%;background:var(--ink);color:var(--paper); display:inline-flex;align-items:center;justify-content:center;flex:none} .g-stop::after{content:"";width:7px;height:7px;background:var(--paper); -webkit-mask:url('data:image/svg+xml,') center/contain no-repeat; mask:url('data:image/svg+xml,') center/contain no-repeat} /* ---------- the kind mark — .g-kind ---------- The six ways a run ends without its answer, carried by the GLYPH COLUMN instead of by a clause: `ban` refused, `arrow-right-left` switched, `cloud-off` the service, `gauge` the context window (the composer's own arc, again), `hourglass` the turn budget, `log-in` not signed in. Lucide, 13px to match the disk it replaces, --ink-2 like every other stroke icon, one per row and no disk beside it. IT COSTS TWO RULES, and both were taken knowingly. (a) the filled disk is reserved for state and stroke for everything else, and this is a stroke mark in the state column; (b) the column stops meaning one thing — it used to be scanned for "a run died here" and is now read for which way. What buys them back is the row: an outcome that was 98px of block at the thread's own measure is 24px of line, because the mark is doing the classifying the sentence used to do. WEIGHT: 2.77 user units is a true 1.5px at 13/24 — the same arithmetic that gives .ic.lucide its 2.57 at 14/24. Anything less and the marks read lighter than every other icon on screen. ALIGNMENT is to the TEXT, not to the row. Pinned to the row's top the way the disk is, the mark drifted line to line — a row's top is set by whatever else it carries (a 12.5px tally, a 14px action, a fold head) while the sentence's first line is not. An SVG baselines on its bottom edge, so bare baseline alignment hangs the whole box above the baseline and reads high; the negative bottom margin drops it until the box's centre lands on the text's cap centre, which is where every .g-done/.g-stop disk in the chrome already sits. FULL INK, unlike every other stroke icon in the chrome. The mark stands in the state column, where the disks it replaces are solid --ink, and it is doing their job: a reader scans that column to find where a run stopped. At --ink-2 it matched the narration beside it and stopped being a mark at all — the row read as one more gray line rather than as the one to stop on. */ .g-kind{width:13px;height:13px;flex:none;stroke:currentColor;stroke-width:2.77; fill:none;stroke-linecap:round;stroke-linejoin:round;color:var(--ink)} .trace-row>.g-kind{align-self:baseline;margin-bottom:-1.5px} /* the bare check — a stroke glyph with NO disk, and the only state glyph that is not small: .g-done says "this row finished" inside a trace, this says "the screen's question is answered" and stands alone where a field was. The disk is what separates a row's state from a screen's answer. */ .g-check{width:24px;height:24px;stroke:currentColor;stroke-width:1.5;fill:none; stroke-linecap:round;stroke-linejoin:round;color:var(--ink);flex:none} /* exactly 13px wide (3+2+3+2+3) — the same slice as the disk and the spacer, so the run → settled swap never moves the text beside it */ .g-run{display:inline-flex;gap:2px;align-items:center;flex:none;height:13px;width:13px} .g-run i{width:3px;height:3px;border-radius:50%;background:var(--ink); animation:pulse 1.2s var(--ease) infinite} .g-run i:nth-child(2){animation-delay:.2s} .g-run i:nth-child(3){animation-delay:.4s} @keyframes pulse{0%,100%{opacity:1}50%{opacity:.25}} @media (prefers-reduced-motion:reduce){ .g-run i{animation:none;background:var(--ink-2)} .app *{transition:none!important} } /* ---------- thread card (_design#9) — stadium, tight, title-only ---------- the title owns the full width; a live run's pulse dots sit IN FLOW at the end, taking their slice of the row only while the run exists */ /* titles align with the Threads/Today labels; the hover/active pill BLEEDS outward instead (negative margin mirrors the padding) */ .thread-card{display:flex;align-items:center;gap:8px; padding:7px 12px;margin:0 -12px;border-radius:var(--r-full);cursor:pointer; transition:background var(--t-fast) var(--ease)} .thread-card:hover{background:var(--accent-soft)} .thread-card.active{background:var(--panel)} /* a two-line card is a taller stadium, whose curve bites deeper into its first pixels — its text steps 3px in so it does not sit against the bend */ .thread-card.has-meta{padding-left:15px} /* the text column; the run glyph sits beside it, centered on the card whatever its height */ .thread-card .tc-body{flex:1;min-width:0;display:flex;flex-direction:column;gap:2px} .thread-card .t{min-width:0;font-weight:500;font-size:var(--text);line-height:1.4; color:var(--ink);white-space:nowrap;overflow:hidden;text-overflow:ellipsis} /* who is working it, under the title: mark + model (DM Mono, _design#4) + the thread's age ("7h ago", tabular, canon#12) — the whole line junior by color alone, so an open card says more without shouting (_design#3) */ .thread-card .tc-meta{display:flex;align-items:center;gap:6px;min-width:0; color:var(--ink-2)} .thread-card .tc-meta .h-mark{width:12px;height:12px} .thread-card .tc-meta .agent{font-size:12px;color:inherit;min-width:0; white-space:nowrap;overflow:hidden;text-overflow:ellipsis} .thread-card .tc-meta .meta{font-size:12px;white-space:nowrap} /* pane headers share ONE height (60px) so sidebar, thread, and details headers sit on the same line across regions */ .pane-h,.thread-h,.details-h{height:var(--pane-h);min-height:var(--pane-h);padding:0;align-items:center} /* the sidebar wordmark sits at header scale (was an inline style) */ .pane-h .wordmark{font-size:15px} /* The collapse control bleeds out with the pills below it — same -12px the nav rows and thread cards use — so one margin runs down the pane's right edge instead of the header's box sitting 12px inside everything else. The wordmark stays on the text column: this moves the BOX, not the text, which is the same distinction that lets a thread title line up with its date label while its pill runs wider. */ .side-in .pane-h{margin-right:-12px} /* ---------- thread header (_design#16) — sticky, content fades under it ---------- */ .thread-h{position:sticky;top:0;z-index:2; background:linear-gradient(var(--paper) 62%,transparent); display:flex;align-items:center;gap:8px} /* the thread column has a max measure: header, trace, and composer share --thread-col and center when the pane is wider (collapsing side panels widens the margins, never the text) */ .thread-scroll>:not(.thread-h){max-width:var(--thread-col);margin-inline:auto} /* title at body size, ALWAYS left-aligned; flex:1 so it owns the middle and the toggle icons pin to the ends — it can never be squeezed by them */ .thread-h .t{font-family:var(--font-title);font-weight:600;font-size:14px; letter-spacing:-0.01em;flex:1;min-width:0;text-align:left; white-space:nowrap;overflow:hidden;text-overflow:ellipsis} /* every pane scrolls its own wrapper; scrollbars are not part of the language. The end padding lets the last content rise clear of the floating composer. The bottom fade is a MASK on the content itself (no backdrop, no paper strip): text starts fading ~24px above the pill top and is gone just before it — pill geometry: 52px tall + 16px inset = top at 68px. */ .thread-scroll{container-type:inline-size; /* the figure lane's measure (embed-fig) */ flex:1;min-height:0;overflow-y:auto;padding-bottom:84px; /* the pane owns its pinning — browser scroll anchoring would fight it */ overflow-anchor:none; mask-image:linear-gradient(to bottom,#000 calc(100% - 92px),transparent calc(100% - 56px)); -webkit-mask-image:linear-gradient(to bottom,#000 calc(100% - 92px),transparent calc(100% - 56px))} /* …and when the composer carries a line about where the message will run, the end padding grows by that line's height plus its gap. The fade stays where it is — the line is an opaque box, so what passes behind it is covered rather than dissolved — but content that stopped at the pill's edge would come to rest UNDER that box with no way to bring it out. Stated as a fact about the markup (`:has`) rather than measured: the line is one or two lines of 13px, and a number the stylesheet can reason about beats a number JavaScript has to keep telling it. */ .thread-slot:has(.run-where) .thread-scroll{padding-bottom:148px} /* ---------- keep-alive thread slots ---------- every visited thread's pane stays mounted in an absolute slot; switching threads is a visibility flip — DOM, scroll position, and draft survive. Slots carry the region's 12px side inset (the host spans the full main region), so in-slot chrome anchors at 0. The .off guard matters: visibility:visible on a child ESCAPES a hidden parent, so live slots are only shown while the host itself is on. */ .thread-host{position:absolute;inset:0} .thread-host.off{visibility:hidden} /* home/artifacts keep-alive pages: same posture — absolute layers over the main region, visibility-flipped; each carries the region's side inset */ .page{position:absolute;inset:0;padding:0 12px;display:flex;flex-direction:column; min-width:0} .page.off{visibility:hidden} .thread-slot{position:absolute;inset:0 12px;display:flex;flex-direction:column; visibility:hidden} .thread-host:not(.off) .thread-slot.live{visibility:visible} /* the composer FLOATS over the thread pane (_design#16): no backdrop, no fade, no margins — content stays continuously visible as it passes beneath the input pill; the pill's own fill is the only thing that covers it. Anchored to the SLOT (which already carries the side inset). */ .main{position:relative} .composer{position:absolute;left:0;right:0;bottom:16px;margin:0 auto;padding:0; max-width:var(--thread-col)} /* jump-to-latest: a small disk floating above the composer (tracks its height); debounced show, immediate hide on arriving back at the end */ .jump-pill{position:absolute;left:50%;bottom:calc(100% + 12px);z-index:3; transform:translateX(-50%) translateY(6px); width:34px;height:34px;border:0;border-radius:var(--r-full); background:var(--panel-2);color:var(--ink);cursor:pointer; display:inline-flex;align-items:center;justify-content:center; opacity:0;pointer-events:none; transition:opacity var(--t-fast) var(--ease),transform var(--t-fast) var(--ease), background var(--t-fast) var(--ease),color var(--t-fast) var(--ease)} .jump-pill.on{opacity:1;pointer-events:auto;transform:translateX(-50%) translateY(0)} .jump-pill:hover{background:var(--ink);color:var(--paper)} /* The sidebar does NOT scroll — its list does. The wordmark and the three pages are the pane's fixed head, the same way `.thread-h` is the thread pane's: where you can go should not be somewhere you have to scroll back up to find. */ .side-in{height:100%;overflow:hidden;display:flex;flex-direction:column} .details-in{height:100%;overflow-y:auto;display:flex;flex-direction:column} .thread-scroll,.side-threads,.details-in{scrollbar-width:none} .thread-scroll::-webkit-scrollbar,.side-threads::-webkit-scrollbar, .details-in::-webkit-scrollbar{display:none} /* ---------- trace rows (_design#8) ---------- */ /* Reading text sits airier than the chrome's 1.55: a thread is where the product is READ at length, and the sidebar's density is not its measure. 24px at the resting 14px body — written as an offset of --text rather than a pinned pixel, so the phone step (16px) carries the same air instead of tightening. This is the ONE declaration that sets thread line-height: raising any other line-height (.app's, a token, the derived skill-asset copy) moves nothing here, which is exactly the trap to not fall into when retuning it. */ .trace{display:flex;flex-direction:column;gap:14px;font-size:var(--text); line-height:calc(var(--text) + 10px)} /* the user's turn: a RIGHT-aligned --panel box (sent-message convention; tint, not border — canon#3), no attribution line — the box itself marks the speaker. --r-lg clamps to a stadium on one-liners, echoing the composer pill the text came from */ .msg-user{background:var(--panel);border-radius:var(--r-lg);padding:10px 16px; width:fit-content;max-width:78%;margin-left:auto} /* hover actions under the user's turn: copy + resend, right-aligned, revealed on hover (--t-fast fade) */ .msg-wrap{display:flex;flex-direction:column;align-items:flex-end;min-width:0} /* Turn actions (copy, retry) cost NO layout until you reach for them: the row is a 0fr grid track that opens to 1fr on hover, so the gap under a turn belongs to the turn itself rather than being reserved for a button nobody is looking at. Height and fade run together on the same ease. */ .msg-actions,.row-actions{display:grid;grid-template-rows:0fr; opacity:0;margin-top:0; transition:grid-template-rows var(--t-med) var(--ease), margin-top var(--t-med) var(--ease), opacity var(--t-fast) var(--ease)} .msg-actions>*,.row-actions>*{overflow:hidden;display:flex;gap:2px;min-height:0} .msg-actions{justify-items:end} .msg-wrap:hover .msg-actions,.msg-actions:focus-within, .content-wrap:hover .row-actions,.row-actions:focus-within{ grid-template-rows:1fr;opacity:1;margin-top:4px} /* keyboard and touch never hover: reveal for anyone who cannot */ @media (hover:none){ .msg-actions,.row-actions{grid-template-rows:1fr;opacity:1;margin-top:4px} } @media (prefers-reduced-motion:reduce){ .msg-actions,.row-actions{transition:opacity var(--t-fast) var(--ease)} } /* THE GLYPH COLUMN IS A FIXED GUTTER. Every row spends it, glyph or not, so the text edge is one vertical line that never moves: a row that streams under the run dots and settles to no mark keeps its exact geometry — the gutter simply goes quiet. The alternative was tried (text flush at the column edge, only glyph rows indented) and taken back: a settling answer collapsed its gutter and the whole paragraph reflowed 23px left at the exact moment the reader was on it. Only the LEFT gutter is reserved — the mirrored right padding of the oldest layout stays gone. */ .trace-row{--glyph:13px;--glyph-gap:10px; display:flex;gap:var(--glyph-gap);align-items:baseline; /* browser-native virtualization: off-screen rows skip layout and paint; the second value is the pre-render estimate, `auto` keeps the last measured size so scrollHeight stays honest for long threads */ content-visibility:auto;contain-intrinsic-size:auto 44px} /* A row hosting a figure leaves the virtualization: content-visibility implies PAINT containment, which clips descendants to the row's column-capped box — the figure lane laid out at 880px and painted at 720, the overhang simply not shown. The report's sections make the exact same exclusion for its .wider/ .widest lanes (components.css § lanes: an overhang "must join this selector"). The cost is real but small: threads hold a handful of figure rows, not the hundreds the virtualization exists for. */ /* `:has(.tbl)` and not `:has(.tbl.wide)`, which is where this started: a row that holds a table is a row that MAY widen, and matching only the widened state made the containment flip on every toggle — the row left the virtualization set on expand and rejoined it on shrink, swapping its real height for the intrinsic estimate mid-gesture and taking the scroll position with it. A row that can widen stays out of the set whether it is widened or not. */ .trace-row:has(.embed-fig),.trace-row:has(.lane){content-visibility:visible;contain-intrinsic-size:none} .trace-row>.g-done,.trace-row>.g-stop{align-self:flex-start;margin-top:3px} /* the run dots RIDE THE PEN: bottom-aligned, they sit beside the line being written rather than a first line long since scrolled by — the liveness mark stays where the reader is looking. On settle the state mark takes the row's top, as every settled mark does. */ .trace-row>.g-run{align-self:flex-end;margin-bottom:4px} /* the landing beat for a reader sent here from the gallery: the row rises on the panel tint and settles — the quiet "you are here", said once */ .trace-row.row-landed{border-radius:var(--r-lg);animation:row-landed 1.6s var(--ease)} @keyframes row-landed{from{background:var(--panel)}to{background:transparent}} @media (prefers-reduced-motion:reduce){.trace-row.row-landed{animation:none}} /* the spacer HOLDS ITS SLICE: a row with nothing to say in the gutter still spends it, which is what keeps every body on the same text edge through the run → settled swap (the fixed gutter above) */ .g-none{width:var(--glyph,13px);flex:none} .trace-row .body{min-width:0} /* …and the same for the answer's wrapper, which had never been given it. A flex item's `min-width` is `auto`, so it refuses to shrink below its CONTENT's min-content width — and a `pre` does not wrap, so its min-content width is its longest line. An answer holding a 120-character line therefore laid its content column out at that line's width (1097px measured, inside a 720px row): the row overflowed the measure, and `.md pre`'s own `overflow-x:auto` never engaged, because the block was never asked to be narrower than its content. The visible symptom was a code block that pushed the text column sideways past every paragraph around it, rather than scrolling inside itself the way canon#10 says wide content does. */ .trace-row>.content-wrap{min-width:0} .trace-row .body p{color:var(--ink)} /* ---------- the thought process ---------- live: label + the provider's thinking text streaming in, junior gray. settled: collapses to "Thought for …" — a quiet clickable label with a chevron; expansion reveals the full process in place. */ .thought-head{border:0;background:none;padding:0;margin:0;font:inherit; color:var(--ink-2);cursor:pointer;display:inline-flex;align-items:center;gap:6px; transition:color var(--t-fast) var(--ease)} .thought-head:hover{color:var(--ink)} .thought-head .chev{width:13px;height:13px;flex:none; transition:transform var(--t-fast) var(--ease)} .thought.open .thought-head .chev{transform:rotate(90deg)} /* the thinking window: ten lines deep, scrollable inside, and clickable to open to full height. The CSS bound is em-based so it stays ten LINES at any type size (mobile bumps this to 16px) until the measured px bound takes over — the expanded value must be a length, `none` cannot animate. The edges fade only toward unread text: --fade-top/--fade-bottom are set from the scroll position, so the top is clean until you scroll off it and the bottom is clean once you reach the end. Registering them as is what lets the fade grow in rather than pop. */ @property --fade-top{syntax:'';inherits:false;initial-value:0px} @property --fade-bottom{syntax:'';inherits:false;initial-value:0px} .thought-body{color:var(--ink-2);font-size:13px;line-height:1.6;margin-top:8px; padding-left:14px;white-space:pre-wrap;overflow-wrap:break-word; max-height:calc(10 * 1.6em);overflow-y:auto;overscroll-behavior:contain; /* no scrollbar: the edge fades already say there is more, and a track inside a trace row is one machine part too many */ scrollbar-width:none;-ms-overflow-style:none; cursor:pointer; --fade-top:0px;--fade-bottom:0px; -webkit-mask-image:linear-gradient(to bottom,transparent 0,#000 var(--fade-top), #000 calc(100% - var(--fade-bottom)),transparent 100%); mask-image:linear-gradient(to bottom,transparent 0,#000 var(--fade-top), #000 calc(100% - var(--fade-bottom)),transparent 100%); transition:max-height var(--t-med) var(--ease), --fade-top var(--t-med) var(--ease), --fade-bottom var(--t-med) var(--ease)} .thought-body::-webkit-scrollbar{width:0;height:0} .thought-body:focus-visible{outline:1px solid var(--ink-3);outline-offset:4px;border-radius:var(--r-xs)} @media (prefers-reduced-motion:reduce){.thought-body{transition:none}} /* ---------- exchanges — prompt-to-answer segments ---------- an exchange groups a prompt with everything until the next one; the toggle collapses the PROCESS (thoughts, tools, notes) while artifacts and the final answer stay. The group keeps the trace's own row gap. */ .exchange{display:flex;flex-direction:column;gap:14px;min-width:0} /* the thread pane's own trace opens 6px under the header it slides beneath — the one thing that differed between it and the follow-up pane's trace once both were drawn by the same component (Trace) */ .trace.pane-trace{padding-top:6px} /* 14px, the narration size: this line sits in the same column as "Working" and "Thought it through" and says the same kind of thing about the run, so reading smaller made it look like a lesser class of note rather than a peer. 12.5px was also a one-off off the 4px grid (foundations.md § Spacing). */ .seg-toggle{border:0;background:none;padding:0;margin:0;font:inherit; font-size:14px;color:var(--ink-2);cursor:pointer; display:inline-flex;align-items:center;gap:6px; transition:color var(--t-fast) var(--ease)} .seg-toggle:hover{color:var(--ink)} .seg-toggle .chev{width:13px;height:13px;flex:none; transition:transform var(--t-fast) var(--ease)} .seg-toggle.open .chev{transform:rotate(90deg)} /* ---------- the working line — .steps (patterns.md § Streaming) ---------- Narration succession, collapsed to the step that is happening NOW. A run working through many steps used to grow the trace a row per step, which made the process the biggest thing on screen while it was the least settled: the stretch renders as ONE line carrying the newest narration, and the arrival of the next step is the list scrolling by a row — the new line rises in from below as the old leaves above, log direction made motion. Nothing is rewritten to buy this: the steps are ordinary rows in an append-only log and the line is a one-row window onto them, never a replacement — the full sequence is one press away, forever. THE CHEVRON TRAILS, against the fold heads' leading one, deliberately. A fold's chevron labels content hidden below it; this line's words ARE the newest of the content — live narration first, affordance second — and they must sit on the trace's one text edge like every narration row they stand for. A leading chevron would indent the one line in the chrome that changes most often. It rests --ink-3, the quietest thing on the row: the words are already saying everything else. THE LINE CARRIES NO MARK, LIVE OR SETTLED. The gutter is spent empty (.g-none — the fixed gutter, so the text edge never moves). Live, the swap itself is the liveness signal, and a second animated mark beside a line that is already moving was one too many — the dots also promised "this row is streaming" when what is live is the RUN, not the sentence. Settled, the words are the settlement: the head swaps to the resting label the way it swapped to every step before it. No done disk either — the disk marks a step that ran and finished, and the working line is not a step, it is a window onto steps that each carry their own disk inside; a check on the head would count the same work twice. Only the opened list's current step wears the dots, because a static row needs the mark the moving line does not. OPEN, THE HEAD STOPS REPEATING THE LIST. The current step is visible as the list's last row, so the head morphs to the roll-up — `Working` plus the step tally, ticking in tabular figures (_design#7) — the same fact never twice on screen. SETTLED, the exchange's own fold takes over (`Worked for 58 seconds, 9 steps` — the .seg-toggle above): the working line is the LIVE presentation of the process, and the fold is its resting one. Only the system's own step narration may join a group; content — attribution blocks, embeds, the user's turn, outcomes — lands in the trace as itself and CLOSES the group. Further steps start the next one. */ .steps{display:flex;flex-direction:column;min-width:0} .steps-head{border:0;background:none;padding:0;margin:0;font:inherit; color:var(--ink-2);cursor:pointer;text-align:left; display:flex;align-items:baseline;gap:8px;min-width:0; transition:color var(--t-fast) var(--ease)} .steps-head:hover{color:var(--ink)} .steps-head .chev{width:13px;height:13px;flex:none;align-self:center; color:var(--ink-3); transition:transform var(--t-fast) var(--ease),color var(--t-fast) var(--ease)} .steps-head:hover .chev{color:var(--ink)} .steps.open .steps-head .chev{transform:rotate(90deg)} /* the one-row window: successor and predecessor share the cell during the swap; each is one line, cut by ellipsis, so the row's height never moves */ .steps-now{display:grid;min-width:0;flex:0 1 auto} .steps-now>span{grid-area:1/1;min-width:0; white-space:nowrap;overflow:hidden;text-overflow:ellipsis} .steps-now>span.in{animation:step-in var(--t-med) var(--ease)} .steps-now>span.out{animation:step-out var(--t-med) var(--ease) forwards; pointer-events:none} @keyframes step-in{from{opacity:0;transform:translateY(7px)}to{opacity:1;transform:none}} @keyframes step-out{from{opacity:1;transform:none}to{opacity:0;transform:translateY(-7px)}} /* expansion is the house 0fr→1fr track (the embed's, the turn actions'): the sequence opens in place, rows on the trace's own gap and text edge */ .steps-list{display:grid;grid-template-rows:0fr;opacity:0;margin-top:0; transition:grid-template-rows var(--t-med) var(--ease), margin-top var(--t-med) var(--ease), opacity var(--t-fast) var(--ease)} .steps-list>div{overflow:hidden;min-height:0; display:flex;flex-direction:column;gap:14px} .steps.open .steps-list{grid-template-rows:1fr;opacity:1;margin-top:14px} /* ---------- the lull sheen ---------- A long step starves the working line of its own signal: the swap is the liveness mark, and a model that thinks silently for three minutes (observed: 168s) leaves the head motionless — a live run wearing a dead line. The dots are not brought back for it (a second animated mark was rejected once, and stillness does not change the argument); instead the words take over the dots' own pulse: a soft band, a breath wide, drifts through the line — the letters dim a step and return as it passes. Monochrome by construction (the same letters at a lower alpha, via mask — never a painted gradient, which would tear on theme change), and small: the line stays legible at every phase of the wave. IT APPEARS ONLY AFTER A BEAT OF STILLNESS — the waiting placeholder's own rule: while steps are landing, the swap is the signal and the sheen would be a second one. The class is the surface's to add when nothing has landed for a few seconds, and to clear on the next swap. It also lives only where the dots do not: an OPEN group's current step already pulses in the list, so .lull is ignored while .open. Under reduced motion there is no sheen — a still line is an acceptable rendering (canon#9), and the run's liveness is still said by the thread card's dots. */ /* the band is ~40% of the line and dips to quarter strength: measured wider and shallower first (90% × .45) and invisible in practice — a whole-line fade reads as nothing at 14px. Narrow and deep is what makes it a SHEEN: letters visibly dip and recover as it passes, and the line around the band stays at full strength the whole time. */ .steps.lull:not(.open) .steps-now>span:not(.out){ -webkit-mask-image:linear-gradient(100deg,#000 43%,rgba(0,0,0,.25) 50%,#000 57%); mask-image:linear-gradient(100deg,#000 43%,rgba(0,0,0,.25) 50%,#000 57%); -webkit-mask-size:300% 100%;mask-size:300% 100%; animation:lull-sheen 2.8s linear infinite; } /* 100%→0% is a LEFT-TO-RIGHT sweep (the mask is 3× the line, so position walks it backwards); reading direction, one breath, then a quiet gap while the band is off the edge — a pulse, not a marquee */ @keyframes lull-sheen{ from{-webkit-mask-position:100% 0;mask-position:100% 0} to{-webkit-mask-position:0% 0;mask-position:0% 0} } @media (prefers-reduced-motion:reduce){ .steps-now>span.in,.steps-now>span.out{animation:none} .steps-now>span.out{opacity:0} .steps-list{transition:opacity var(--t-fast) var(--ease)} .steps.lull:not(.open) .steps-now>span:not(.out){animation:none; -webkit-mask-image:none;mask-image:none} } /* the waiting placeholder (client-side, never in the log): appears only after a beat of real dead air, so it never flickers between rows */ /* the fade the placeholder rides in on. It MUST exist: the rule below parks the row at opacity 0 and relies on the animation to bring it back, so a missing keyframe leaves "Waiting on …" in the DOM and invisible. */ @keyframes chunkin{from{opacity:0}to{opacity:1}} .trace-row.waiting{opacity:0;animation:chunkin var(--t-fast) var(--ease) .5s forwards} @media (prefers-reduced-motion:reduce){.trace-row.waiting{animation:none;opacity:1}} /* a refused write, stated in place: gray narration with the server's own sentence, and the dismiss beside it rather than a banner over anything */ .trace-row.refusal .body{display:flex;align-items:baseline;gap:10px} .trace-row.refusal .narr{flex:1;min-width:0} .trace-row.refusal .btn{flex:none} /* ---------- run outcomes (patterns.md § Waiting & empty states) ---------- A run that ended without its answer says so where the answer would have been: what happened, then the one thing that changes it. Never a banner, never a toast, never a modal, and never red — an error is not a status hue in this chrome (canon#2) and the weight lives in the words. The voice is NARRATION (--ink-2), not content, and that is the load-bearing decision: a sentence ABOUT the run set in --ink is indistinguishable from a sentence the model wrote, which is the exact failure the Claude adapter's attribution rule exists to prevent (a harness's "Invalid API key · Fix external API key" published as prose). The mark is what makes the row unskimmable, not the ink. THE ROW IS A LINE, NOT A BLOCK. It was a column — the account, then a rail of numbers, then the fold, each on its own line — and at three lines an outcome was the biggest thing in the trace, which inverts the point: the run FAILED, it did not become the most important event in the thread. Everything shares one baseline now and the sentence is cut until it fits, which it can be because .g-kind above is carrying the classification. Measured at the thread's 760px measure: a refusal went from 98px to 24px, the weight of "Thought for 5 seconds", which is the weight it should always have had. */ .trace-row.outcome .body{display:flex;flex-wrap:wrap;align-items:baseline; gap:4px 12px;min-width:0} /* What it spent before it stopped — a value never ships bare (canon#12). THE TOKEN RAIL IS NOT HERE: what a failed run cost is a COST, and costs live in the details panel, which already carries them. Printing them under the sentence made the second line of every outcome a number nobody was going to act on. Two things survive, because neither is a price: the held-against-fits pair, which IS the failure rather than the cost of it, and the elapsed time where the duration is part of what happened. A row carrying two actions carries no tally at all — measured, it wraps at 760px and at 700px with both. The one job the rail did do ("zero in and zero out, so the request never reached a model") is said in the sentence instead: `nothing ran`. */ .outcome-cost{display:flex;flex-wrap:wrap;gap:10px} /* The fold's HEAD joins the line and its BODY takes the next one. display:contents is what allows both at once: head and body become flex items of the row itself, so the head sits inline where a reader meets it and the body claims a full basis underneath. The fold is the thought's, because opening a machine's own words in place is the same act. */ .outcome .thought{display:contents} .outcome .thought-body{flex-basis:100%;padding-left:0;margin-top:0} /* the command is never inline — it is a block a reader copies */ .outcome .picker-cmd{flex-basis:100%;max-width:280px} /* ---------- editing what a branch carried ---------- A branch opens on what it was given: system narration naming the parent, with the assembled text behind the ordinary thought fold. That row REPORTS and does not edit in place — it is a thing that happened, sitting in an append-only log among other things that happened, and no other row in a trace carries a control that rewrites its own content. Its Edit and the details panel's both open the one editor. The panel's `Carried` section is where a thread's standing facts are kept and changed (Goal above it, `Branched from` beside it) — what is carried is one of those, not an event. THE PANEL SHOWS THE TEXT, not a description of it. A one-line summary of a summary ("the goal, 2 reports, and the last 6 exchanges") tells a reader nothing they can check — the whole reason to look is to find the sentence that is wrong, and that sentence is in the text. So the section carries the opening of the real thing, cut off by a fade rather than a rule: six lines at the panel's own measure, going pale toward the bottom, which says "there is more" in the same breath as it stops. The same fade the thought window already uses for unread text — a mask, never an ellipsis and never a gradient painted in the paper's colour, which would break the moment a theme changed. EDITING IS A MODAL, the skills editor's (`.skill-modal`). Four paragraphs is a document, and a document is edited at a document's measure: in a 300px column the field was taller than the panel and the reader scrolled a narrow strip to read a sentence. The modal is also what makes one editor serve two entry points — the carried row in the trace and this section both open it, and neither becomes a second place for the text to be true. The field inside it is the panel's own bare textarea (no ground, no inset): the read view with a caret in it. */ /* THE FADE IS CONDITIONAL, and set by the component the way .thought-body's is. Applied unconditionally it goes pale at the bottom of a summary that fits, which says "there is more" about text that has already ended — the one thing a fade must never do. Twelve lines is the bound; `.clipped` is the fact. THE CUT IS MOSTLY FADE. At six lines with the mask starting at 45% the section showed two solid lines and stopped almost at once — the reader saw the shape of a summary rather than any of it, and the fade read as a lid. Twelve lines opening at 30% gives roughly four solid and eight dissolving: enough real text under the gradient to judge whether it is worth opening, which is the only question a preview has to answer. */ /* FULL INK, because this is the text itself and not a note about it. Set in narration gray it read as the section's caption — a line explaining what was carried, rather than the thing that was — and the reader came here to find the sentence that is wrong IN it. Same rule the `Goal` section above it follows. */ /* MARKDOWN, not source: the section renders the carried text through the same `.md` every content row uses, so the block sets the MEASURE and the ink and lets `.md` set the structure. No `white-space:pre-wrap` — markdown has already decided where the paragraphs are, and pre-wrap on top of it turns every source newline inside a paragraph into a break the author never wrote. */ .carried-preview{font-size:13px;line-height:1.6;color:var(--ink); overflow-wrap:break-word; max-height:calc(12 * 1.6em);overflow:hidden} /* `.md` is sized for the thread's measure; the panel is a 300px column, so the headings come down to the step above body and the rhythm tightens with them. Nothing else is restated — colour, code, tables and math are the one type system, and a second set of rules here would be a second answer to them. */ .carried-preview .md h1,.carried-preview .md h2{font-size:14px;margin:12px 0 6px} .carried-preview .md h3,.carried-preview .md h4, .carried-preview .md h5,.carried-preview .md h6{font-size:13px;margin:10px 0 4px} .carried-preview .md p,.carried-preview .md ul,.carried-preview .md ol{margin:0 0 8px} .carried-preview .md ul,.carried-preview .md ol{padding-left:18px} .carried-preview.clipped{ -webkit-mask-image:linear-gradient(to bottom,#000 30%,transparent 100%); mask-image:linear-gradient(to bottom,#000 30%,transparent 100%)} /* Opened, the height bound and the fade both leave: the section scrolls with the panel, which is the surface's own answer to a long document and not a second scroller inside it. Reading the whole summary is what `See all` was pressed for; the modal is still where it is CHANGED. */ .carried-preview.open{max-height:none;overflow:visible} /* The way in sits CENTRED, under the fade it lifts — the fade runs the width of the column and dissolves toward its own bottom edge, so the one place a control can stand without landing on half-legible words is the middle of that edge. Pulled up into the gradient's tail rather than parked below it: the button belongs to the text it opens, and a gap between them would read as the next section starting. Ghost, because it is the quiet register — what is carried is the section, and this is only the way to see the rest of it. */ .carried-more{display:flex;justify-content:center;margin-top:-10px} /* a document's height in the modal, so the reader sees paragraphs and not a slot */ .carried-input{min-height:320px} /* Text a model began and the harness took back when it handed the turn to another model. It stays exactly where it landed — the log is append-only and a reader watched it arrive — and goes vestigial, which is what --ink-3 already means in the text grammar (foundations § Text-color grammar). Nothing else about the row changes: no strike-through (that is an edit), no fold (the words were on screen; hiding them now would be the second surprise). */ .trace-row.withdrawn .body, .trace-row.withdrawn .body p, .trace-row.withdrawn .md{color:var(--ink-3)} /* ---------- embed (embedding#5) — the summary row that OPENS an artifact ---------- No unfold: the row is a door, and the artifact is shown in the modal. */ .embed{background:var(--panel);border-radius:var(--r-lg)} /* An embed introduced by prose in the SAME row is one delivery, and the two parts still need air between them: flush against the last line, the panel reads as though the sentence ran into it. 16px — the grid step above the 14px that separates whole trace rows, so the pair stays closer to each other than to anything else (foundations.md § Spacing). Keyed to the structure rather than set on one component: any row that grows a preamble gets it, and an embed that IS the row keeps its flush top. */ .trace-row .body > .embed:not(:first-child){margin-top:16px} .embed-head{display:flex;align-items:center;gap:12px;padding:16px 18px;width:100%; background:none;border:0;font:inherit;text-align:left;cursor:pointer;color:var(--ink)} .embed-head .t{font-weight:600;font-size:14px;color:var(--ink);min-width:0; white-space:nowrap;overflow:hidden;text-overflow:ellipsis} .embed-head .count{margin-left:auto;flex:none} /* link-out variant: no chevron, no expansion — the whole row is an anchor to the standalone page; the trailing arrow marks the navigation */ a.embed-head{text-decoration:none;transition:background var(--t-fast) var(--ease); border-radius:var(--r-lg)} a.embed-head:hover{background:var(--panel-2)} .embed-link .go{color:var(--ink-2);flex:none} .pill{background:var(--ink);color:var(--paper);border-radius:var(--r-full); font-size:11px;font-weight:600;letter-spacing:.08em;text-transform:uppercase; padding:4px 10px;flex:none;line-height:1.2} .count{font-size:11px;font-weight:600;letter-spacing:.08em;text-transform:uppercase;color:var(--ink-2)} /* figure embed (embedding#12) — the one artifact that ships EXPANDED, in the flow of the answer; its head row folds it in place instead of opening a modal. The chevron turns to say which way the fold goes — the fold is the embed's own motion, nothing above it moves (canon#9). */ .embed-fig .embed-head .go{color:var(--ink-2);flex:none; transition:transform var(--t-fast) var(--ease)} .embed-fig .embed-head .go.open{transform:rotate(90deg)} .embed-fig .fig-body{padding:0 10px 10px} /* The guest frame opens small and grows to the height the figure announces — the modal's 100vh opening size is for a document, and inside a thread it would shove the whole conversation down for one diagram. */ .embed-fig .rep-frame{height:220px;border-radius:var(--r-md)} /* The figure LANE: the report's .wider overhang, spoken in the thread's own units. When the region is wider than the column, a figure takes up to 880px, centred on the prose it sits in; when it is not, max() collapses the lane to the column and the margin to zero — the same convergence the report's lanes have on a narrow frame. Sized by 100cqw (the .thread-scroll container, which already sits inside the pane's 20px insets) minus a 24px breath, never by vw — a pane is not the viewport. Scoped under .thread-scroll on purpose: the details region also renders traces, at widths no lane should be spent on. The lane is only spent on an OPEN figure: folded, the row is prose-adjacent furniture and sits on the text measure like every other embed head. */ .thread-scroll .embed-fig:has(> .embed-head[aria-expanded="true"]){ --fig-lane:min(880px,100cqw - 24px); width:max(100%,var(--fig-lane)); margin-left:calc((100% - max(100%,var(--fig-lane)))/2)} /* ---------- details panel (_design#2) — header sticky, never scrolls away ---------- */ .details-h{position:sticky;top:0;z-index:2; background:linear-gradient(var(--paper) 62%,transparent); display:flex;align-items:center;justify-content:space-between; margin-bottom:4px} /* pane header titles share one spec — same as .thread-h .t (_design#16): left-aligned, taking the row's remaining width so the actions pin to the end and can never squeeze it. Without the flex, a header with a control on BOTH sides (a follow-up's back arrow and its actions) centres its title on the `space-between` — the one header in the chrome that would read differently from the rest. */ .details-h .t{font-family:var(--font-title);font-weight:600;font-size:14px; letter-spacing:-0.01em;flex:1;min-width:0;text-align:left; white-space:nowrap;overflow:hidden;text-overflow:ellipsis} /* a header's EDGE buttons hang their glyph on the pane's text edge — the stadium-bleed idiom the rows below already follow. The 7px between a 28px button's box and its 14px glyph is hover halo, not inset, and with the panes' content now flush that halo read as a leftover pad pushing the back arrow (and the trailing action) in from the edge everything else sits on. */ .details-h>.iconbtn:first-child,.doc-h-rail>.iconbtn:first-child{margin-left:-7px} .details-h .pane-actions>.iconbtn:last-child{margin-right:-7px} .hairline{border:0;border-top:1px solid var(--hairline);margin:16px 0} .details .trace{gap:10px;font-size:var(--text)} /* details body text — one class so the mobile overlay can rescale it */ .dp-text{font-size:var(--text)} /* ---------- the goal pair ---------- A GOAL IS NOT A PROPERTY OF A THREAD, it is the agent's reading of one ask. The model declares it in the opening line of its answer, so the unit is the pair — what was asked, and what it set out to do about it — and the panel shows both halves. Alone, the goals read as an unsourced list: "Name the important players adjacent to…" at 9 of 19 tells a reader nothing about which question produced it. It also settles what was wrong before. `run.started` carries the raw prompt in the goal field as a stand-in, so a chain built from goals alone filled with prompts wearing the wrong name. Here the prompt is present AS the prompt and the goal is the agent's, each labelled by its own position and ink — nothing is discarded and nothing is misnamed, and a run where the model never declared one shows an ask with no goal under it rather than a prompt pretending to be one. THE ASK IS QUIET AND CUT AT TWO LINES; the goal is ink and whole. Two lines is enough to recognise a question you wrote — the reader is placing it, not re-reading it — while the goal is the thing the section is named for and is never cut. BUT THE CUT IS A DEFAULT, NOT A CEILING. A prompt is the one text on this surface the reader is entitled to in full, because they wrote it: a long ask is often long for a reason (constraints, an example, what to avoid) and the goal beneath it is the model's compression of exactly that. So the ask opens on demand, in the chrome's one expand idiom (`.seg-toggle`). Offered ONLY when there is something under the cut: a toggle that expands nothing is a control that lies. NO CHEVRON, the same call `See all` takes over the carried summary. A fold's chevron marks a heading that stays put while something opens beneath it; this is not a heading and does not stay put — it rides the bottom of the ask and moves with it. The word already says which way it goes. */ .goal-pair{display:flex;flex-direction:column;align-items:flex-start;gap:5px} .goal-ask{font-size:13px;line-height:1.55;color:var(--ink-2)} .goal-ask.clamp{display:-webkit-box;-webkit-line-clamp:2;-webkit-box-orient:vertical; overflow:hidden} /* Sized to the ASK it opens rather than to `.seg-toggle`'s own 14px: it belongs to that paragraph, and a control louder than the text it acts on reads as the more important of the two. */ .goal-more{font-size:12.5px} /* A run nobody prompted — a checkpoint's own resume — has no ask to show, and the slot names the event instead of standing empty. The lead-in is narration in the machine's register (`.meta`) and the checkpoint's title is the reader's own words, so the two do not merge into one sentence. */ .goal-ask .meta{font-size:inherit} /* details SECTION titles are uppercase micro-labels */ .details-in .label{text-transform:uppercase;letter-spacing:.07em;font-size:12px} /* the status line: state at left, elapsed at right — content, not a title */ .dp-live{display:flex;align-items:center;justify-content:space-between;gap:8px; color:var(--ink-2)} /* one value per line under a section label */ .dp-stack{display:flex;flex-direction:column;gap:6px;margin-top:8px} /* The way into the rest of a capped list. Quieter than the rows it follows — it is about the list, not in it — and left-aligned under them rather than centred, because there is no fade spanning the column here for it to sit at the middle of: the rows have a left edge and this belongs on it. */ .dp-more{font-size:13px;margin-top:2px} /* The goal chain's pager, in the slot `.label`'s own space-between opens on the right — where `Status` used to put its Close, and for the same reason: it acts on the section its heading names. The buttons are the chrome's `.iconbtn` at a step down, because a pager is not a destination: it moves you inside one thing. The count is `.meta` and tabular, so `1 / 5` and `10 / 12` do not shift the arrows apart as the reader walks. */ .goal-nav{display:inline-flex;align-items:center;gap:2px;flex:none} /* The readout leads and the arrows follow, so the gap that separates them is its own: tabular figures keep `1 / 5` and `10 / 12` the same width, and the right margin holds the arrows off the number rather than letting them read as a third and fourth digit. */ .goal-nav .meta{font-variant-numeric:tabular-nums;margin-right:4px} .goal-nav .iconbtn{width:22px;height:22px} .goal-nav .ic{width:13px;height:13px} /* An end of the chain is a fact, not a broken button: the arrow stays in place so the pair never reflows, and steps back to the disabled ink the chrome already uses for a control that has nothing to do. */ .goal-nav .iconbtn:disabled{color:var(--ink-3);cursor:default;background:none} .dp-tallies{display:flex;gap:10px;margin-top:8px} /* flags/roles beside values (skills "active", model roles, elapsed) read at the same size as the values they annotate */ .details-in .dp-text .meta{font-size:inherit} /* details as a hover card — surfaces where the panel is absent (never the thread page); anchored to a thread card, --t-fast fade after a short delay */ /* ---------- chips, buttons, inputs ---------- */ .chip{background:var(--panel);border-radius:var(--r-full);padding:5px 12px; font-size:12.5px;color:var(--ink);display:inline-flex;align-items:center;gap:6px} button.chip{border:0;cursor:pointer;font:inherit;font-size:12.5px; transition:background var(--t-fast) var(--ease)} button.chip:hover{background:var(--panel-2)} .btn{border:0;background:none;color:var(--ink);font:inherit;font-size:13.5px;font-weight:600; padding:8px 14px;border-radius:var(--r-md);cursor:pointer; transition:background var(--t-fast) var(--ease)} .btn:hover{background:var(--panel)} .btn.solid{background:var(--ink);color:var(--paper)} .btn.solid:hover{background:var(--ink)} /* ghost: the quiet register — narration-gray until reached for, and no border, because a surface here is separated by tint and never by a line (canon#1). The one that was referenced before this existed rendered as a bare UA button. */ .btn.ghost{color:var(--ink-2);font-weight:500;font-size:13px;padding:6px 12px; display:inline-flex;align-items:center;gap:6px} .btn.ghost:hover:not(:disabled){background:var(--panel-2);color:var(--ink)} /* Size and stroke come from `.ic.lucide` — the 14px box and its 2.57 stroke are calibrated against the bespoke 16-grid pair (foundations.md § Icons), so a local override here would be a second, uncalibrated definition. The glyph takes the label's colour by currentColor: part of the word, never a decoration beside it. */ .btn:disabled{opacity:.45;cursor:default} /* hover backing is a rounded square (--r-xs), never a disk (_design#5) */ .iconbtn{border:0;background:none;color:var(--ink-2);width:28px;height:28px; border-radius:var(--r-xs);cursor:pointer;display:inline-flex;align-items:center;justify-content:center; transition:background var(--t-fast) var(--ease),color var(--t-fast) var(--ease)} .iconbtn:hover{background:var(--panel);color:var(--ink)} .input{background:var(--panel);border:0;border-radius:var(--r-full); font:inherit;font-size:14px;color:var(--ink);padding:10px 16px;width:100%} textarea.input{border-radius:var(--r-lg)} /* placeholder is muted TEXT (--ink-2), not the hairline tier — --ink-3 is a border value and reads as invisible against --panel */ .input::placeholder{color:var(--ink-2)} /* focus is the tint step, never a ring — canon#3 extends to focus states */ .input:focus{background:var(--panel-2);outline:none} /* ---------- icons (stroke, _design#5) ---------- */ .ic{width:16px;height:16px;stroke:currentColor;stroke-width:1.5;fill:none; stroke-linecap:round;stroke-linejoin:round;flex:none} /* Lucide draws on a 24-grid and its glyphs run optically larger than the bespoke 16-grid pair — render Lucide at a 14px box to match them, and compensate the stroke: 2.57 user units at 14px/24 = a true 1.5px (_design#5) */ .ic.lucide{width:14px;height:14px;stroke-width:2.57} /* ---------- the one input pill (PillInput) ---------- the PILL is the container: fill and radius live here so adornments (logo, model chip, stop) sit inside it; the field itself is bare. The field is a textarea that grows from ONE line (the pill keeps its 52px stadium at rest) and scrolls inside past ~5 lines */ /* multiline: the field grows UPWARD and adornments stay pinned to the LAST line (align-items:flex-end), optically centered on it via fixed 22px line-boxes — vertical padding (15px) centers a single line at 52px */ .pill-input{display:flex;align-items:flex-end;gap:10px;width:100%; padding:15px 18px;background:var(--panel);border-radius:var(--r-lg); transition:background var(--t-fast) var(--ease)} .pill-input:focus-within{background:var(--panel-2)} /* base height = EXACTLY one line box (22px), so the caret is line-sized and sits on the text line — auto height let it grow tall and sink below. The JS sizer overrides with a px height once there is content. */ .pill-input .input{background:none;flex:1;min-width:0;padding:0; border-radius:0;outline:none;resize:none;height:22px;max-height:148px; overflow-y:auto;line-height:22px;scrollbar-width:none} .pill-input .input::-webkit-scrollbar{display:none} .pill-input .input:focus{background:none;outline:none} /* adornments ride the last line: a 22px box matching the field's line height, contents centered inside it */ .pill-input .pill-lead,.pill-input .model-chip-wrap,.pill-input .ctx-wrap{height:22px; display:inline-flex;align-items:center} /* the stop disk is taller than the line — nudge so its center matches */ .pill-input>.iconbtn{margin-bottom:-3px} .pill-lead{display:inline-flex;flex:none;color:var(--ink-2)} /* ---------- the context ring — .ctx-ring ---------- How much room the conversation has left, riding the pill after the model chip. The ARC IS THE REMAINING FRACTION — full ring, empty thread — in --ink on an --ink-3 track, 1.5px stroke (_design#5), monochrome always (canon#2): running out of room is carried by the number in the card, never by a hue. Three honesty states, because three is what the harnesses give: an exact reading (solid --ink arc), an estimated one (the arc steps to narration gray — a reading the platform inferred, not one the harness reported), and no reading at all (no arc, dashed track: "not reported", which is a different statement from "empty"). The card it opens says which, in words. */ .ctx-wrap{position:relative;flex:none} .ctx-ring{width:22px;height:22px;border:0;background:none;padding:0; display:inline-grid;place-items:center;cursor:pointer} /* no hover backing: the ring is a reading first and a control second, and a square lighting up behind it made it shout. Reaching for it steps the TRACK --ink-3 → --ink-2 — the same quiet step every stroke icon takes — and that step is also the visible focus state (canon#3: never a ring). */ .ctx-ring:focus-visible{outline:none} .ctx-ring:hover .track,.ctx-ring:focus-visible .track{stroke:var(--ink-2)} .ctx-ring svg{width:16px;height:16px;transform:rotate(-90deg)} .ctx-ring .track{fill:none;stroke:var(--ink-3);stroke-width:1.5; transition:stroke var(--t-fast) var(--ease)} /* r=6.25 → circumference 39.27; --p is the remaining fraction */ .ctx-ring .arc{fill:none;stroke:var(--ink);stroke-width:1.5;stroke-linecap:round; stroke-dasharray:calc(var(--p) * 39.27) 39.27; transition:stroke-dasharray var(--t-med) var(--ease)} .ctx-ring.est .arc{stroke:var(--ink-2)} .ctx-ring.unknown .arc{display:none} .ctx-ring.unknown .track{stroke-dasharray:2 2.9} /* the card the ring opens: readouts and narration in the menu framework. A fact row is row-shaped but inert — the LABEL narrates in gray and only the value carries ink, tabular (_design#7), every value with its unit (canon#12). Narration wraps, the one row that may. */ .menu-fact{display:flex;align-items:center;gap:10px;font-size:13px; color:var(--ink-2);padding:5px 12px} .menu-fact .menu-hint{color:var(--ink)} .menu-say{font-size:12.5px;color:var(--ink-2);padding:4px 12px 6px; line-height:1.45;white-space:normal;max-width:280px} /* the in-use gauge: a 4px track in --panel-2 with an --ink fill, stadium ends; an estimated fill steps to --ink-2, matching its ring */ .menu .gauge{height:4px;border-radius:var(--r-full);background:var(--panel-2); margin:4px 12px 6px;overflow:hidden} .menu .gauge i{display:block;height:100%;width:var(--w);background:var(--ink); border-radius:var(--r-full)} .menu .gauge.est i{background:var(--ink-2)} /* ---------- the model picker — .picker ---------- The card the model chip opens: a filter, then every model this account can run, folded into the harness that serves it. A `.menu` with a head and a scrolling body — the head is the frame and does not scroll away with the list. A harness that serves nothing KEEPS its row: it used to vanish, which made "Cursor is waiting for a login" and "this machine never heard of Cursor" the same empty list, and the fold then holds what would connect it instead of models. NO machine here, deliberately. It named the source of a list rather than a destination — runners race for the lease and the winner runs it — so it was a row that could not answer the question a reader would ask of it, and there is one machine to answer for anyway. `.run-where` is what speaks to where a run lands. When routing becomes explicit, the machine comes back as a thing that CHOOSES rather than a thing that labels. */ .picker{display:flex;flex-direction:column;gap:0; /* a folded row starts under its harness NAME, and the number is its parts, so the two can never drift: 12px row padding + 14px chevron slot + the card's own 10px row gap */ --fold-indent:36px} .picker-head{display:flex;flex-direction:column;gap:6px;padding-bottom:6px;flex:none} /* the filter: the glyph makes it a search, and the glyph is also its focus — the field is already --panel-2 on a --panel card and stepping DOWN on focus would dissolve it into the card (canon#3 still forbids the ring) */ .picker-search{position:relative;display:flex;align-items:center;flex:none} .picker-search .ic{position:absolute;left:12px;width:14px;height:14px;color:var(--ink-3); pointer-events:none;transition:color var(--t-fast) var(--ease)} .picker-search:focus-within .ic{color:var(--ink)} .picker-search input{width:100%;height:30px;padding:0 12px 0 34px;border:0; border-radius:var(--r-full);background:var(--panel-2);font:inherit;font-size:13px; color:var(--ink)} .picker-search input:focus{outline:none} .picker-search input::placeholder{color:var(--ink-3)} .picker-list{flex:1;min-height:0;overflow-y:auto;overscroll-behavior:contain; scrollbar-width:none;display:flex;flex-direction:column;gap:2px} .picker-list::-webkit-scrollbar{display:none} .picker-group+.picker-group{margin-top:2px} /* the harness is a LABEL: gray until reached for, never as loud as a model */ .menu .picker-harness{display:flex;align-items:center;width:100%;padding:5px 12px; border:0;border-radius:var(--r-full);background:none;font:inherit;font-size:13px; color:var(--ink-2);text-align:left;cursor:pointer; transition:background var(--t-fast) var(--ease),color var(--t-fast) var(--ease)} .menu .picker-harness:hover,.menu .picker-harness:focus-visible{ background:var(--panel-2);color:var(--ink);outline:none} .menu .picker-harness .agent{color:inherit;font-size:13px} .picker-harness .chev{width:14px;height:14px;flex:none; transition:transform var(--t-fast) var(--ease)} .picker-harness[aria-expanded="true"] .chev{transform:rotate(90deg)} /* the NAME takes the flexible margin, so the chevron is PINNED to the row's end and the count or state can come and go without anything moving. The count used to carry the margin, and opening a fold — which hides the count — let the chevron slide in against the name. */ .menu .picker-harness .agent{margin-right:auto} /* open, the rows ARE the count. The fold-check that once replaced a folded count is RETIRED: the shelf shows the current model at all times, and the check belongs to the model, never to the harness that serves it. */ .picker-harness .n{color:var(--ink-2)} .picker-harness[aria-expanded="true"] .n{display:none} /* the fold is the embed's own motion, so nothing above it moves (canon#9) */ .picker-body{display:grid;grid-template-rows:0fr; transition:grid-template-rows var(--t-med) var(--ease)} .picker-harness[aria-expanded="true"]+.picker-body{grid-template-rows:1fr} /* hidden, not merely zero-height: the roving arrow keys must not walk into rows nobody can see */ .picker-body>div{overflow:hidden;min-height:0;display:flex;flex-direction:column;gap:2px; visibility:hidden;transition:visibility 0s linear var(--t-med)} .picker-harness[aria-expanded="true"]+.picker-body>div{visibility:visible;transition-delay:0s} /* qualified: `.menu button` is the same weight and lands later, so a bare class here would lose its indent to the framework's own row padding */ .menu .picker-body button{padding-left:var(--fold-indent)} /* density: a picker row is a line of text with 5px of air, not a button pad — the framework's 300px cap answers with half again as many rows */ .picker .menu-group button,.menu .picker-body button{padding-top:5px;padding-bottom:5px} @media (prefers-reduced-motion:reduce){.picker-body{transition:none}} /* ---------- the recently-used shelf — .picker-shelf ---------- Under the search, before the catalog: at most five models, most recent first, the CURRENT one leading — the question the picker is usually opened with ("the one from before"), answered without a fold touched. The rows are the menu's own; the vendor's mark leads each in the same 14px slot a harness row uses, so every model name in the card lands on --fold-indent. The current model carries the bare .menu-mark check at its row's end (the skills menu's convention) and stays at normal weight — the check carries the state, bold would say it twice. The shelf is the list's first group, not part of the pinned head: it scrolls away with the catalog. It LEAVES while filtering (recency is not the filter's answer) and is ABSENT on an account with no history — never a labelled zero (_design#13). */ /* the label is capped, so it drops to 11px with tracking: a section name, quieter than any row it heads */ .picker-shelf .menu-label{font-size:11px;letter-spacing:.06em;color:var(--ink-3); padding:4px 12px 2px} /* a remembered model whose source cannot serve right now keeps its place in the order, dimmed through — mark included — and not pressable: remembered, not offered. It relights when the sign-in does. */ .menu button[disabled] .h-mark{color:var(--ink-3)} /* a shelf row's mark steps with its row, as a harness row's does */ .menu button:hover .h-mark,.menu button:focus-visible .h-mark{color:var(--ink)} /* author display outranks the UA's [hidden] — the same trap as .menu[hidden] */ .menu-group[hidden]{display:none} /* the seam under the shelf: a hairline inset to the rows' own 12px edge — a shelf edge, not a cut through the card. A dense-stack use of --hairline (_design#2); a label here instead ("models") named the obvious and read as a second shelf. */ .picker-sep{border:0;border-top:1px solid var(--hairline);margin:4px 12px 2px;flex:none} .picker-sep[hidden]{display:none} /* the vendor mark takes the SAME 14px slot the chevron had, so --fold-indent is unchanged and model names still land under their harness name. One ink, never brand colour (canon#2): it takes the row's ink and dims with it, which is also why the set is single-path — a multi-colour logo could not do it. */ .h-mark{width:14px;height:14px;flex:none;color:var(--ink-2); transition:color var(--t-fast) var(--ease)} .menu .picker-harness:hover .h-mark{color:var(--ink)} /* a harness that cannot serve: gray through, and its state where its count was */ .menu .picker-harness.off,.menu .picker-harness.off .agent{color:var(--ink-3)} .menu .picker-harness.off .h-mark{color:var(--ink-3)} .menu .picker-harness.off:hover{color:var(--ink-2)} .menu .picker-harness.off:hover .h-mark{color:var(--ink-2)} .picker-state{font-size:12.5px;color:var(--ink-3);white-space:nowrap} /* displaced by the mark, the fold's chevron sits pinned at the row's end (the name's margin does the pinning; the row's own gap spaces it) */ .picker-fold{width:14px;height:14px;flex:none;color:var(--ink-3); transition:transform var(--t-fast) var(--ease)} .picker-harness[aria-expanded="true"] .picker-fold{transform:rotate(90deg)} /* what would connect it, in the fold where its models would have been */ /* The connect journey (§ Connecting a machine): the same picker card walking a reader from no machine to a model. Content sits on the card directly — no fold indent; this is not a fold body. The step map speaks in one glyph: a not-yet step is the done check dimmed (.g-todo — same geometry, tint disk, faint check), waiting-on-the-machine is the pulsing glyph, done is .g-done. The current step's row takes .now and opens its body in place. */ .connect{padding:16px 16px 14px;display:flex;flex-direction:column} .connect p{font-size:12.5px;color:var(--ink-2);margin:0;line-height:1.45} .connect .t{font-family:var(--font-title);font-weight:500;font-size:15px;margin:0 0 10px; display:flex;align-items:center;gap:8px} .connect .t .ic{width:18px;height:18px;color:var(--ink)} .connect .hairline{margin:12px 0 10px} /* A finished ✓ row is a door back to its step: the ROW is a button, quiet — no pad, no pill fill (the .menu row look would say "choose me"); the narration lifting to ink is the whole hover, the same step as everything else quiet in the chrome. */ .connect button.trace-row{padding:0;border-radius:0;align-items:baseline} .connect button.trace-row:hover,.connect button.trace-row:focus-visible{background:none} .connect button.trace-row:hover .narr, .connect button.trace-row:focus-visible .narr{color:var(--ink)} .connect .menu-label{font-size:11px;letter-spacing:.06em;color:var(--ink-3);padding:0;margin:0} .connect .step-t{font-weight:600} /* The map's glyphs run a step larger than trace glyphs: in a card this sparse they are the structure, not a whisper in the margin. */ .connect .g-todo,.connect .g-done{width:16px;height:16px} .connect .g-todo::after,.connect .g-done::after{width:8px;height:8px} /* Proceed: a bare text control. The card is one tinted surface, and every filled pill tried on it disappeared into its own background — so the door is weight plus a chevron, and hover answers in ink. */ .connect .start{border:0;background:none;cursor:pointer;font:inherit;font-size:13px; font-weight:600;color:var(--ink-2);display:inline-flex;align-items:center;gap:2px; padding:0;transition:color var(--t-fast) var(--ease)} /* background restated for the hover STATE: the menu's generic row hover (`.menu button:hover`) would otherwise paint its panel-2 box here. */ .connect .start:hover,.connect .start:focus-visible{color:var(--ink);background:none} .connect .start .ic{width:14px;height:14px} /* The one retreat, at the card's foot — the same bare grammar as Proceed, junior in weight because going back is never the card's ask. */ .connect .back{border:0;background:none;cursor:pointer;font:inherit;font-size:13px; font-weight:500;color:var(--ink-2);display:inline-flex;align-items:center;gap:2px; padding:0;margin-top:12px;transition:color var(--t-fast) var(--ease)} .connect .back:hover,.connect .back:focus-visible{color:var(--ink);background:none} .connect .back .ic{width:14px;height:14px} /* The command sits on paper: --code on the card's tint was a whisper, invisible in light. A cut-out reads as "this is the thing you take". */ .connect .picker-cmd{background:var(--paper)} /* Copy is quiet: no backing on hover — the command's own box is backing enough. */ .picker-cmd .iconbtn:hover,.picker-cmd .iconbtn:focus-visible{background:none;color:var(--ink)} /* A COPY BUTTON'S YES IS THE BARE CHECK, everywhere one is offered — the command, the prompt, the answer. The filled disk is the trace's state vocabulary: it says how a ROW ended, and wearing it here made a button's acknowledgement look like an event in the log that produced it. Full ink because it is the answer to something the reader just did. */ .iconbtn .ok{color:var(--ink)} .g-todo{width:13px;height:13px;border-radius:50%;background:var(--ink-3); display:inline-flex;align-items:center;justify-content:center;flex:none} .g-todo::after{content:"";width:7px;height:7px;background:var(--panel-2); -webkit-mask:url('data:image/svg+xml,') center/contain no-repeat; mask:url('data:image/svg+xml,') center/contain no-repeat} .picker-connect{padding:2px 12px 8px var(--fold-indent);display:flex; flex-direction:column;gap:6px} .picker-connect p{font-size:12.5px;color:var(--ink-2);margin:0;line-height:1.45} .picker-cmd{display:flex;align-items:center;gap:8px;background:var(--code); border-radius:var(--r-sm);padding:5px 6px 5px 10px} .picker-cmd code{font-family:var(--font-mono);font-size:12px;color:var(--ink); white-space:nowrap;overflow-x:auto;scrollbar-width:none} .picker-cmd code::-webkit-scrollbar{display:none} .picker-cmd .iconbtn{width:24px;height:24px;margin-left:auto;flex:none} /* the door to a SECOND machine: a ghost row at the list's end — present, never loud; the catalog is the card's job and this is an aside to it */ .picker-add{margin-top:6px} /* ---------- active skills — .skill-label ---------- What the next message runs WITH, stated at the pill's leading edge beside the logo that opens the kit. It is a LABEL, not a control: a span, no hover step, no pointer, nothing to press — the logo is the control, and a second target for the same card would be two ways to do one thing. The glyph is the Skills icon (the sidebar's own for that page) and it is the LABEL of the number, not decoration beside it: that is what keeps a bare count inside canon#12 and makes this a tally rather than a badge. Colour is --c4, the tag palette's "what is yours" — the third and last enumerated chromatic thing in the chrome (with .tag and .act), earning the hue the same way: it separates a stated FACT from the two quiet controls at the pill's two ends. Absent, never a zero, when no skill is on (_design#13) — a line that always says everything is fine stops being read. */ /* absent, never a zero: the label leaves at 0 — its own display outranks the UA's [hidden] rule, the same trap as .menu[hidden] */ .skill-label[hidden]{display:none} .skill-label{display:inline-flex;align-items:center;gap:4px;flex:none; margin-left:6px;font-size:13px;color:var(--c4);font-variant-numeric:tabular-nums} .skill-label .ic{width:14px;height:14px;color:inherit} /* model chip: narration-gray inside the pill; hidden while typing */ .model-chip-wrap{position:relative;flex:none} .model-chip{border:0;background:none;font:inherit;font-size:13px; color:var(--ink-2);cursor:pointer;white-space:nowrap;padding:4px 2px; display:inline-flex;align-items:center;gap:6px; transition:color var(--t-fast) var(--ease)} .model-chip:hover{color:var(--ink)} .model-chip .h-mark{width:13px;height:13px;color:inherit} /* A NARROW pill keeps the mark and drops the name. The pill is the container asked, not the window: the same composer is the width of a pane at the bottom of a thread and 440px floating beside a selection, and it is the second one that has no room — a truncated model name reads as a different model. The mark is the same control, saying which harness answers and opening the same chooser. */ .pill-input{container-type:inline-size} @container (max-width:460px){ .model-chip .name{display:none} .model-chip{padding-left:0} } /* the model menu is an instance of the popover framework below — `.menu.up.right` (it opens over the composer, aligned to the pill's end) */ /* ---------- popover menus — .pop + .menu ---------- ONE floating-menu framework for the language: model chooser, skills toggle, row actions, right-click context menus. A --panel card floating over its anchor — tint and radius, never a shadow or a border (canon#3); placement is a class, not a per-component rule. */ /* the anchor: any trigger becomes one by wrapping it (the menu is positioned against this box, so it must be the trigger's own box — never a whole toolbar) */ .pop{position:relative;display:inline-flex} /* …unless the trigger lives INSIDE a control — the model chip in the composer pill, the logo beside it. Then the anchor is the CONTROL: `.pop-host` on the pill takes the positioning context and the wrapper goes static. A menu measured from the 22px chip clears the chip and lands on the field it sits in — on top of the text being typed — and aligns to an adornment's edge instead of the edge the reader sees. Two triggers can share one host: each keeps its own alignment class. */ .pop-host{position:relative} .pop-host .pop{position:static} .menu{position:absolute;z-index:20; /* default placement: BELOW the anchor, leading edges aligned — the ordinary case; `.up` / `.right` move it, nothing else does */ top:calc(100% + 8px);left:0; background:var(--panel);border-radius:var(--r-md);padding:6px; min-width:200px;max-width:min(320px,90vw); display:flex;flex-direction:column;gap:2px; /* a real catalog runs to hundreds of rows — the menu scrolls inside itself rather than growing off the viewport; the scrollbar is not part of the language (canon#10's containment discipline). Two bounds, and the tighter wins: `--pop-max` is the room the opener actually found on the side it chose (50vh is the no-JS fallback), and 300px is the cap — about eight rows. A menu that fills the pane is a pane. */ max-height:min(var(--pop-max,50vh),300px); overflow-y:auto;overscroll-behavior:contain; scrollbar-width:none; animation:menu-in var(--t-fast) var(--ease)} /* The connect journey is a plan, not a menu: clipping its Start behind a scroll hides the one thing the card asks for. When the card hosts it, the cap yields to the content (still bounded by the room the opener found). */ .menu:has(.connect){max-height:min(var(--pop-max,80vh),640px)} .menu::-webkit-scrollbar{display:none} .menu.up{top:auto;bottom:calc(100% + 8px);animation-name:menu-in-up} .menu.right{left:auto;right:0} /* pointer-anchored (right-click): fixed to the viewport, coordinates written inline by the opener — `position:fixed` needs a body portal for the same reason a modal does (components.md § Modal) */ .menu.free{position:fixed;top:auto;bottom:auto;left:auto;right:auto} /* the menu arrives from the side it belongs to — 3px, a --t-fast fade; just enough to say where it came from (canon#9) */ @keyframes menu-in{from{opacity:0;transform:translateY(-3px)}} @keyframes menu-in-up{from{opacity:0;transform:translateY(3px)}} @media (prefers-reduced-motion:reduce){.menu{animation:none}} /* rows: one line each, glyph slot · label · optional trailing hint */ .menu button{border:0;background:none;font:inherit;font-size:13px; color:var(--ink);text-align:left;padding:8px 12px;border-radius:var(--r-full); cursor:pointer;white-space:nowrap;display:flex;align-items:center;gap:10px; transition:background var(--t-fast) var(--ease)} /* keyboard focus is the same tint step as hover — visible, never a ring (canon#3 extends to focus states) */ .menu button:hover,.menu button:focus-visible{background:var(--panel-2);outline:none} /* a row's own `display` outranks the UA's [hidden] rule — without this a filtered-out row is a visible one (the same trap as `.menu[hidden]`) */ .menu button[hidden]{display:none} .menu button.on{font-weight:600} .menu button[disabled]{color:var(--ink-3);pointer-events:none} .menu button .ic{color:var(--ink-2);transition:color var(--t-fast) var(--ease)} .menu button:hover .ic,.menu button:focus-visible .ic{color:var(--ink)} .menu:focus{outline:none} /* trailing value or shortcut — meta, so it takes the meta spec */ .menu-hint{margin-left:auto;padding-left:16px;font-size:12.5px;color:var(--ink-2); font-variant-numeric:tabular-nums} /* groups separate by SPACE and a label, never a rule — a menu is not the details panel, the one place a hairline lives (_design#2) */ .menu-group{display:flex;flex-direction:column;gap:2px} .menu-group+.menu-group{margin-top:6px} .menu-label{font-size:13px;color:var(--ink-2);padding:6px 12px 2px} /* empty is one narration line, not a blank card (_design#13) */ .menu-empty{font-size:13px;color:var(--ink-2);padding:8px 12px;white-space:nowrap} /* selection in a MULTI-select is a bare check at the END of the row (no disk, no leading slot): every name starts on the same edge whether or not it is on, an unchecked row has nothing standing in front of it, and the mark is read where the eye lands after the word. A leading circle asked to be filled in — a form's question — where this states a fact about the row. The name itself stays at normal weight: the check carries the state, and bolding it as well says the same thing twice. */ .menu-mark{margin-left:auto;width:14px;height:14px;flex:none} .menu button .menu-mark{color:var(--ink)} /* a hint and a mark can share a row (the default effort, chosen): the hint's auto margin does the pushing and the mark rides at the very end */ .menu-hint+.menu-mark{margin-left:0} /* hosted on --panel (inside a modal, a card, a panel pane) the card steps up and its hover steps back down — the menu keeps one step of separation from whatever ground it floats over, the same rule as an icon button's backing (components.md § Modal) */ .menu.on-panel{background:var(--panel-2)} .menu.on-panel button:hover,.menu.on-panel button:focus-visible{background:var(--panel)} /* …and the trigger that opens it, sitting on that same ground */ .iconbtn.on-panel:hover,.iconbtn.on-panel[aria-expanded="true"]{background:var(--panel-2)} /* a trigger stays lit while its menu is open — the control that was pressed must not look untouched */ .iconbtn[aria-expanded="true"]{background:var(--panel);color:var(--ink)} button.chip[aria-expanded="true"]{background:var(--panel-2)} .model-chip[aria-expanded="true"]{color:var(--ink)} /* ---------- the composer kit — .kit (on the composer logo) ---------- The card the composer LOGO opens: what the next send goes out WITH — files it carries, skills it runs with. One card because it is one question, and one entrance because a second icon at the pill's leading edge would split that question across two doors. Structure, top to bottom: the picker's own filter head (one search component in two cards — present only when the catalog overflows the framework's cap, a filter over four rows is furniture), an ATTACH group of action rows (leading icons, the action-menu grammar), then the SKILLS as a labelled multi-select (bare mono names, end checks). Two grammars in one card is deliberate: the groups are different parts of speech, each keeps its own row anatomy, and the label between them is the seam. An attach row CLOSES the card — it hands off to the OS picker; a skill row toggles and STAYS (§ Popover menu's row-level rule: the row's role decides, never the card). While filtering, the attach group leaves — verbs are not the filter's answer — and returns when the field clears. When the backend cannot take files yet, the attach group is ABSENT, never a teaser (_design#13); the card is then exactly the skills card it grew from. */ .skills-wrap{position:relative;display:inline-flex} .logo-btn{border:0;background:none;padding:0;margin:0;display:inline-flex; color:inherit;cursor:pointer;border-radius:var(--r-xs); transition:color var(--t-fast) var(--ease)} .logo-btn:hover,.logo-btn[aria-expanded="true"]{color:var(--ink)} /* the kit is a .menu with the picker's bones: head pinned, list scrolling, picker density (a row is a line of text with 5px of air) */ .kit{display:flex;flex-direction:column;gap:0;min-width:240px} .kit .menu-group button,.kit .picker-list>.menu-group button{ padding-top:5px;padding-bottom:5px} /* the group label is capped (SKILLS), so it takes the shelf's own treatment: 11px with tracking — a section name, quieter than any row it heads (§ Model picker's RECENTLY USED) */ .kit .menu-label{display:flex;align-items:center;font-size:11px; letter-spacing:.06em;color:var(--ink-3);padding:4px 12px 2px} /* …and the label's trailing SEARCH — a quiet control at the section name's end (the details panel's label-action, one scale down). Search here is ON DEMAND: pressed, the card swaps into its searching state — the bar tops the card, the attach verbs leave — so the resting card stays minimal at any catalog size, and the always-on filter head is retired. While the search is open the glyph is gone: the bar's ✕ is the way back. */ .kit .label-search{margin-left:auto;border:0;background:none;padding:0; display:inline-flex;color:var(--ink-3);cursor:pointer; transition:color var(--t-fast) var(--ease)} .kit .label-search:hover,.kit .label-search:focus-visible{ color:var(--ink);outline:none} .kit .label-search .ic{width:14px;height:14px} .kit .label-search[hidden]{display:none} /* the searching state arrives and leaves whole — its head's own display outranks the UA's [hidden] rule, the same trap as .menu[hidden] */ .kit .picker-head[hidden]{display:none} /* dismissing the search: a bare ✕ inside the field's end, stepping --ink-3 → --ink like the magnifier it answers */ .picker-search .x{position:absolute;right:10px;border:0;background:none; padding:0;display:inline-flex;color:var(--ink-3);cursor:pointer; transition:color var(--t-fast) var(--ease)} .picker-search .x:hover,.picker-search .x:focus-visible{ color:var(--ink);outline:none} /* back in flow: the field's own `.ic` rule pins ANY icon to the magnifier's spot at the leading edge — the ✕ is the button's content, not the field's adornment */ .picker-search .x .ic{position:static;left:auto;width:14px;height:14px; color:inherit;pointer-events:auto} .kit .picker-search input{padding-right:32px} /* ---------- attachments on the composer — .attach-strip ---------- What the kit's verbs — or a drop on the pane, or a paste into the pill — leave behind: a strip of chips above the pill, floating with the composer at the thread measure. The chips ARE the statement, so attachments get no count label beside the logo (skills get one because an active skill is otherwise invisible; a chip is not). One chip anatomy for every kind: a leading 18px slot (the kind's icon — file-text, image, film — or the image's own THUMBNAIL: content, not chrome, so it may carry color, canon#2), the name in body 13px, and a bare ✕ that removes — no backing disk inside a stadium. The slot is also where state lives (_design#5): the running dots while the upload is in flight, the stopped disc when it ended without landing — pressing a failed chip retries, and its label says so. */ .attach-strip{display:flex;flex-wrap:wrap;gap:6px;margin-bottom:8px} .attach-chip{display:inline-flex;align-items:center;gap:7px;height:30px; padding:0 9px 0 7px;background:var(--panel);border-radius:var(--r-full); font-size:13px;color:var(--ink);max-width:220px} .attach-chip .kind{width:18px;height:18px;flex:none;display:inline-flex; align-items:center;justify-content:center;color:var(--ink-2)} .attach-chip .kind .ic{width:14px;height:14px} /* the thumbnail fills its slot; the radius is the scale's smallest step */ .attach-chip .thumb{width:18px;height:18px;flex:none;border-radius:var(--r-xs); background:var(--panel-2);overflow:hidden;display:inline-flex; align-items:center;justify-content:center} .attach-chip .thumb img,.attach-chip .thumb svg{width:100%;height:100%; object-fit:cover;display:block} .attach-chip .name{min-width:0;white-space:nowrap;overflow:hidden; text-overflow:ellipsis} /* remove: a bare glyph stepping ink-2 → ink, the model chip's own move */ .attach-chip .x{border:0;background:none;padding:0;margin:0;display:inline-flex; color:var(--ink-2);cursor:pointer;flex:none; transition:color var(--t-fast) var(--ease)} .attach-chip .x:hover,.attach-chip .x:focus-visible{color:var(--ink);outline:none} .attach-chip .x .ic{width:14px;height:14px} /* in flight: the slot runs; failed: the stopped disc, and the chip's body is the retry (the one thing on screen about that file) */ .attach-chip .kind .g-run,.attach-chip .kind .g-stop{transform:scale(.85)} .attach-chip .body{display:inline-flex;align-items:center;gap:7px;min-width:0; border:0;background:none;padding:0;margin:0;font:inherit;color:inherit; text-align:left} .attach-chip.failed .body{cursor:pointer} /* a drag over the pane is answered by the pill's own focus step — the strip is where the drop lands, the tint says it is welcome. Both composers: the thread's and home's. */ .composer.dropping .pill-input, .home-composer.dropping .pill-input{background:var(--panel-2)} /* ---------- attachments on a SENT turn — .msg-attach ---------- The strip's chips, landed in the log: they ride ABOVE the user's box, right-aligned to its edge — the sent turn is the composed moment made fact, and the composer showed exactly this picture (the strip above the pill). One chip anatomy across both moments; the sent chip drops its ✕ (a log is a fact, nothing to remove) and carries no upload state (nothing lands in the log that did not finish landing in the store). It becomes PRESSABLE whole — pressing opens the file, which the content hash keeps fetchable for as long as the log points at it. Below the box was never a candidate: that ground belongs to the turn's hover actions. The 8px to the box is the composer's own strip-to-pill gap. */ .msg-attach{display:flex;flex-wrap:wrap;gap:6px;justify-content:flex-end; width:fit-content;max-width:78%;margin:0 0 8px auto} /* a chip that is a BUTTON owes the tint step every pressable thing owes */ button.attach-chip{border:0;font:inherit;text-align:left;cursor:pointer; transition:background var(--t-fast) var(--ease)} button.attach-chip:hover,button.attach-chip:focus-visible{ background:var(--panel-2);outline:none} /* ---------- top nav (home & artifacts views) ---------- TRUE centering: absolutely anchored to the header's middle, so the history toggle at the edge never pushes it off-center */ .home-h{justify-content:space-between} /* ---------- sidebar pages (above Threads) ---------- Where you can GO, over what you have. Same stadium and the same active fill as a thread card, because they are the same kind of row in the same column — a second shape here would say these are a different sort of thing to click. The glyph sits in a fixed 14px slot so the three names start on one edge. */ /* 16px under the pages, a grid step (foundations.md § Spacing) and the same gap the retired "Threads" label used to contribute. Two kinds of thing share this column — where you can go, and what you have — and without a deliberate step between them the first date bucket reads as a fourth page. */ .sidenav{display:flex;flex-direction:column;gap:2px;margin-bottom:16px} /* No explicit width: the row is a block-level flex box, so it already fills the column, and the negative margins then bleed it 12px past each edge exactly the way a thread card does. `width:100%` pinned it to the container instead, so the right bleed had nothing to bleed into and the fill stopped short of the edge. */ /* ---------- a date bucket's heading, which is its disclosure ---------- The same control as every other fold in the chrome (`.seg-toggle`, `.thought-head`): the words, then a chevron that turns 90°. It reads at `.label` weight and colour because it IS the section label — folding is something the label gained, not a new kind of row. Left-aligned as an inline-flex so the chevron sits beside the word rather than being pushed to the pane's far edge. */ .grp{border:0;background:none;padding:0;margin:6px 0 4px;font:inherit; font-weight:400;font-size:13px;color:var(--ink-2);cursor:pointer; display:inline-flex;align-items:center;gap:6px; transition:color var(--t-fast) var(--ease)} .grp:hover{color:var(--ink-lift)} .grp .chev{width:13px;height:13px;flex:none; transition:transform var(--t-fast) var(--ease)} .grp.open .chev{transform:rotate(90deg)} @media (prefers-reduced-motion:reduce){.grp .chev{transition:none}} .sidenav-item{display:flex;align-items:center;gap:9px; padding:7px 12px;margin:0 -12px;border:0;background:none;cursor:pointer; border-radius:var(--r-full);color:var(--ink);font:inherit;font-size:var(--text); font-weight:500;text-align:left; transition:background var(--t-fast) var(--ease)} .sidenav-item:hover{background:var(--accent-soft)} .sidenav-item.on{background:var(--panel)} .sidenav-item svg{flex:none;width:14px;height:14px;color:var(--ink-2)} .sidenav-item.on svg{color:var(--ink)} /* ---------- home — the new-conversation state ---------- the COMPOSER is the centered element (true vertical center of the pane); the wordmark floats above it and never shifts the centering */ /* the pill sits IN FLOW at the pane's vertical center (the -60px cancels the pane header, keeping the same height as the old fixed version); the wordmark hangs above it and never shifts the centering */ .home{position:relative; flex:1;display:flex;flex-direction:column;align-items:center;justify-content:center; margin-top:-60px} .home .wordmark{position:absolute;bottom:calc(100% + 10px);left:50%; transform:translateX(-50%);font-size:26px} .home-composer{position:relative;width:min(100%,var(--thread-col))} /* ---------- sign-in ---------- */ /* The opening composition at its OWN measure (--signin-col), centered, with what the system is doing said directly under it. It is NOT the thread composer's width: an email address and a six-digit code are short answers, and a 720px pill around six digits reads as a place to write a message. The say-line reserves its height so answering does not move the field the cursor is in. */ .signin-col{position:relative;width:var(--signin-col);max-width:100%;margin:0 auto} /* the wordmark steps down with the column — this rule follows `.home .wordmark` in source order, which is what makes it win on the sign-in screen (both are two-class selectors and the root carries `home signin`) */ .signin-col .wordmark{position:absolute;bottom:calc(100% + 20px);left:50%; transform:translateX(-50%);font-size:20px} /* ONE slot, ONE height (56px, the case) for every state the screen passes through: asking (the field), waiting (the dots), answered (the check). The field is REMOVED while the system works — there is nothing to type into, and a live-looking field that ignores you is a lie — and because the slot keeps its height, nothing under it moves as they swap. */ .signin-field{min-height:56px;display:flex;align-items:center;justify-content:center} /* everything the screen says is CENTERED under the field: one centered composition, not a form with a label rail */ .signin .signin-say{margin-top:14px;min-height:44px;padding:0; display:flex;flex-direction:column;align-items:center;gap:8px;text-align:center} .signin .signin-say p{margin:0;font-size:13.5px;line-height:1.5} /* the two ways out live INSIDE the sentence (.act), not as a rail of buttons under it — see the .act rule below */ /* ---------- the code input — .code-in ---------- Six cases, one per digit: the field states the shape of the answer, so a six-digit code is six boxes and not a sentence-shaped pill. Same fill, same tint-step focus and same absence of a border as .input (canon#3) — only the geometry differs, because what it takes is one character. The case is a SQUARE (one character has no reading direction) and --signin-col is derived from it, never the reverse. */ .code-in{display:flex;gap:8px} .code-in input{width:56px;height:56px;flex:none;border:0;padding:0; background:var(--panel);border-radius:var(--r-md);text-align:center; /* the digits are the machine's string, relayed by hand (canon#6) — mono and tabular, so six cases hold six identically-shaped characters */ font-family:var(--font-emph);font-size:20px;color:var(--ink); font-variant-numeric:tabular-nums;caret-color:var(--ink); transition:background var(--t-fast) var(--ease)} .code-in input:focus{background:var(--panel-2);outline:none} /* a refused code CLEARS the cases and the message does the explaining; they never go red (canon#2: errors are not a hue). There is no disabled state to style — while the code is checked the row is gone from the slot entirely. */ /* ---------- inline action — .act ---------- The two things a person can do next said INSIDE the sentence that explains the situation ("Send again or change email"), not as a rail of buttons under it: they are alternatives to reading the line, so they belong in it. A step of the one blue (--action) marks them as reachable where nothing else in the chrome is colored. This is the SECOND chromatic thing in the chrome, after .tag, and it sits within canon#2 for the same reason: the hue only reinforces text that already says what it does. Remove the words and there is nothing left to click, not merely something quieter. For actions inside a sentence — never a standalone control, which is .btn, and never anything destructive. */ /* `text-align:inherit` because a